Lee Wan, Bookshelf of Records and Memories, 2024 ©Woonkyung Foundation

Artist Lee Wan’s solo exhibition, “Random Access Memory 3: Records and Memories,” is being held at the House of Woonkyung until October 27.

Since being selected as the artist for the Korean Pavilion at the 2017 Venice Biennale, Lee Wan has gained international recognition. From 2022, he has been presenting the exhibition series “Random Access Memory,” which delves into the relationship between technology, art, and humanity. The exhibition at the House of Woonkyung marks the third and final chapter of this series.

“Random Access Memory 3: Records and Memories” focuses on the interplay between objective historical records and personal subjective memories, as well as the transformation of art, humanity, and life brought about by the infinite accumulation of data. This exhibition features 26 works that encompass Lee Wan’s artistic world, including the new piece Bookshelf of Records and Memories (2024), created based on the history of the House of Woonkyung; the Bird (2024) series, sculptures that depict birds as timeless mediators; and the video work Current Affairs Talk Show - Good Questions (2024), which features a dialogue with AI. The exhibition also includes various collaborative works, such as soundscapes and dance and music performances.

Lee Wan, Bird_Oriental Painting Ver., 2024 ©Woonkyung Foundation

A variety of programs will be offered in conjunction with the exhibition. The opening performance, With the Body, is a collaboration between choreographer Lee Jaeyun and recording artist Kim Youngsun, offering a unique experience of connecting to the historical space through music and performance. Other events include an artist talk, a lecture by Professor Shin Heekweon titled Gwanghwamun Woldae, a Memory Restored after a Hundred Years, a workshop for the hearing impaired and their families called How We See the World, and a music performance Old Sounds, Geomungo and Piano by pianist Park Jonghwa and geomungo player Heo Yoonjeong.

The exhibition and programs are available for viewing with prior reservation at the following link

Reservation Link

Ji Yeon Lee has been working as an editor for the media art and culture channel AliceOn since 2021 and worked as an exhibition coordinator at samuso (now Space for Contemporary Art) from 2021 to 2023.