For
Korean contemporary art to be recognized internationally and successfully
establish itself on the global stage, the establishment of a systematic culture
of documentation is essential. This culture of documentation goes beyond simply
archiving works; it involves analyzing the aesthetic and art historical value
of artworks and systematically organizing and conveying these insights to
future generations and the international community. The key to this process is
conducting in-depth aesthetic evaluations and critical analyses that clearly
reveal the unique value of the artist's work.
The
Lack of a Documentation Culture and Its Problems
One of
the most significant factors hindering the development of the Korean
contemporary art scene is the absence of a culture that systematically
documents and evaluates an artist's work using aesthetic and art historical
methods. For example, while Dansaekhwa (monochrome painting) has recently
garnered significant attention in the international art world, it still faces
challenges in gaining sustained recognition due to the lack of systematic
documentation and analysis of its art historical value and significance.
The
Importance of Catalogue Raisonné
A
Catalogue Raisonné is a systematically organized record of an artist's works
and plays a crucial role in elevating the value of the artist and their work in
the international art market. The fact that not a single Korean contemporary
artist has published a Catalogue Raisonné in a timely manner highlights the
profound lack of awareness regarding the importance of documentation in Korean
art.
The
only way to introduce an artist on the international stage is through the
exhibition of actual works or, failing that, through photographs of the works
accompanied by thorough aesthetic and art historical documentation. Therefore,
for the internationalization of Korean contemporary art, there is an urgent
need for the systematic documentation and evaluation of each artist's work
through Catalogue Raisonné and similar efforts.
Francis Bacon: Catalogue Raisonné ©2024 The Estate of Francis Bacon
When determining the price of works at major sales conducted by auction houses such as Sotheby’s and Christie’s, the most critical consideration is the artist’s art historical and aesthetic achievements. Prices are set based on these evaluations, and sustained price increases are only possible when supported by such assessments.
The art market in developed countries has historically shown higher returns than stock investments over the long term, and even during economic downturns, it has demonstrated more stable value retention compared to stocks, as evidenced by various statistics and records. This is because art is not merely seen as an investment vehicle but is regarded as a cultural heritage of humanity, carrying profound spiritual value.
In contrast, the contemporary art market in Korea often experiences drastic price fluctuations in response to economic changes, with once-popular artists suddenly disappearing from the market. This volatility is largely due to the fact that much of the Korean art market operates with a focus on capital investment value rather than on the intrinsic cultural and spiritual significance of the artwork.
Francis Bacon, ©christies auction catalogue 2012
Aesthetic
and Art Historical Documentation Methods
Art
history is an expansive collection of countless artists and works. However,
only a select few are remembered and continue to be studied over time. For an
artist to leave a lasting mark in art history, each of their works must undergo
meticulous aesthetic and art historical evaluation. Such evaluation goes beyond
mere documentation, analyzing the essence of the work and its historical
context to imbue it with lasting significance for future generations.
Aesthetic
evaluation primarily focuses on analyzing the intrinsic value of the work. This
includes the artist’s techniques, use of color, composition, and choice of
subject matter. Art is more than just a visual pleasure; it conveys messages
and achieves harmony through its aesthetic beauty. Therefore, the artist must
clearly understand and articulate the aesthetic value of their work, either
through self-documentation or in collaboration with critics for in-depth
analysis. Emphasizing any visual or conceptual innovations in the work is
crucial for ensuring its value in the future.
Next,
art historical evaluation places the work within its temporal context,
analyzing its relationship with social, cultural, and technological
developments. This involves understanding how the artist’s work interacted with
the art movements, social issues, and technological advances of the time.
For
example, the Impressionist movement challenged traditional academic standards
and introduced new visual experiences, securing its place in art history.
Impressionist
painters were significantly influenced by Isaac Newton's theory of light, which
originated from his studies on color. In 1666, Newton utilized a prism to
demonstrate that sunlight could be decomposed into various colors, proving that
light inherently consists of a spectrum of colors. His findings are detailed
extensively in his work "Opticks," where he proposed that color is
not an intrinsic property of objects but a feature of light itself.
This
discovery profoundly impacted how Impressionist painters observed and depicted
nature. Based on Newton's theory, they shifted their focus from the objects
themselves to capturing the effects of light reflected and refracted by
objects. This approach is evident in their practice of observing nature at
specific times and under specific lighting conditions, aiming to capture the
light and color of those moments realistically.
For example, painters like
Monet and Renoir repeatedly painted the same landscapes under different
lighting conditions to explore how changes in light affected colors. Ultimately,
Newton's light theory significantly contributed to the development of
Impressionism, laying the foundation for modern approaches to handling light
and color in art.
Documenting
the meaning and impact of an artist’s work within such contexts is essential
for ensuring that the artist is not merely a figure of their time but a key
player in art history.
Conclusion
Therefore,
if an artist wishes for their work to grow in value and be recognized in both
the domestic and international art fields in the future, they must adopt a
practice of documenting and organizing their work from an aesthetic and art
historical perspective, starting from the early stages of their career.
Building
this culture of documentation is the most fundamental and crucial starting
point for the internationalization strategy of Korean contemporary art. Through
this, the uniqueness and artistic value of Korean art can be introduced to the
world, providing a foundation for Korean art to secure a significant position
in global art history.