Jun
Hyerim’s solo exhibition “Scroll” is holding at Artspace Boan 2 until December
1.
Jun
Hyerim, who has continually pursued painterly experimentation, presents works
in this exhibition inspired by the shifting perspective found in traditional
East Asian scroll paintings.
Reflecting
on the limitations of a flat, frontal plane, she explores ways to transcend
these boundaries by introducing "scrolling" as a temporal element in
painting. Jun constructs paintings that the viewer can circle 360˚, allowing
surfaces to be perceived as structured layers.
The
artist also incorporates universally recognizable images—such as art historical
icons, web resources, and scenes from animation—into her painterly structures,
using them as indexes that guide the viewer on how to engage with her
paintings. These images, which retain a frontal quality even in their digital
JPG form, serve as directional markers within her work, prompting viewers to
revisit and rethink the painting.
For
example, by referencing Henri Matisse’s Dance (1910), which
has lost its aura through countless reproductions on postcards, tote bags, and
bookmarks, Jun invites viewers to seek the original form, reminding them that
these images were once anchored in a painting on canvas.
Through
this strategy of decelerating the physical time required to experience a
painting, Jun redefines the relationships between image, surface, and painting
itself.
Ji Yeon Lee has been working as an editor for the media art and culture channel AliceOn since 2021 and worked as an exhibition coordinator at samuso (now Space for Contemporary Art) from 2021 to 2023.