Having experienced a rapid, continued metamorphosis of perception and viewpoint of the world through changing circumstances, I have turned to the metacognitive aspect to redefine myself. BYR shows my learnings, growth, reflection, and actions due to that metacognition.
Blue is my praxis of untangling the interrogation of the unknown in life denoting the state of mind and matter. In B, the foundational shape, a square, is inscribed in each circle. The four fixed points express the limitation of understanding self-awareness and psychologically embedded culture and self-reflection. These principles are used as a foundation unit and a surface perception of graphic lines. The linear recurrence relationship of points connects everything that is active in the raw progression.
33 Blue objects are to be interspersed, rotating on center axes. The origin of extrapolation would be installed in a space that is utilized as a universe-like platform for the installation of the creations that had gone through multistep preconditions and procedures to demonstrate interesting interconnectivity among the pieces that reflect my attitude toward life.
Yellow is an interpretation of the cosmological events: birth, growth, death, and other patterns of biological and chemical nature. The concept behind series Y is to juxtapose the rational and metaphysical systems that coexist by building my own pattern methodology. The inscribed equilateral triangle is used as the motif. Diverse patterns emerge from the motif to represent analytical approaches to nature’s harmonized structures, repetition, rhythm, and force gravity.
33 Yellow objects are to be interspersed, rotating on center axes. The origin of extrapolation would be installed in a space that is utilized as a universe-like platform for the installation of the creations that had gone through multistep preconditions and procedures to demonstrate interesting interconnectivity among the pieces that reflect my attitude toward life.
Red investigates the physical law of nature based on phenomena such as gravitation, energy movement, orbit, and light. The base element of R is a dot that is representative of a particle. The line, shape, and form on R probe are both the microscopic and telescopic trace of the particle motion and the energy transformation therein. The others chronicle the interactions of the particle with its surroundings.
33 Red objects are to be interspersed, rotating on center axes. The origin of extrapolation would be installed in a space that is utilized as a universe-like platform for the installation of the creations that had gone through multistep preconditions and procedures to demonstrate interesting interconnectivity among the pieces that reflect my attitude toward life.
Artist Collection, 2024
A gallery, 2024
Art+_Hot Issue
Sanction that the “Young Korean Artists” Exhibition is held in MMCA, Seoul2024.12.17
Art+_Art Insight
George Condo: The Boundary Between Popularity and Value2024.12.03
Art+_Art Insight
Why Is the World So Brutal Yet Beautiful? : Martial Law or Government Control Over Art2024.12.10
Artist_K-Artist
Lee Yunsung’s Paintings Lie Somewhere in Between Classical Myths and Anime2022.08.22
Artist_K-Artist
South Korean Artist Lee Donggi Blends Pop Culture and Contemporary Art2022.05.16
Artist_News
Artist Gwon Osang’s ‘New Structure’ Installed at INSPIRE Rotunda2024.08.06
Gallery_Exhibition
Arario Gallery Seoul’s Reopening Exhibition, "Romantic Irony" on View Through March 18, 20232023.02.13
Artist_Art Focus
Hong Kyoungtack's Library Series Depicts an Infinite Fantastical World Within a Closed Space2023.06.15
Museum_Exhibition
“Art as the Doorway to the Unseen” on View Through November 24, 2024, at Seoul National University Museum of Art2024.10.29
Gallery_Exhibition
Gwon Osang's Solo Exhibition “A I R MASS: 바람이 다니는 길” on View Through July 16, 2023, at Lotte Gallery Jamsil2023.05.31